
They’re real! The label illustrations I did for Keg Creek Brewery in Glenwood Iowa are officially on actual bottles filled with real beer.
That’s so fun.
Rice House was good! Want to go back and try something else. Vegetarian friendly. :)

They’re real! The label illustrations I did for Keg Creek Brewery in Glenwood Iowa are officially on actual bottles filled with real beer.
That’s so fun.
In this, the third of Keg Creek Brewing Company’s delicious craft beers, I deviated from how I normally illustrate and went for just some raw digital painting. I usually do a pencil sketch first, but this time around, it just felt better to take pen to tablet and start making layers.
This is for the Keg Creek IPA label, named for the creek that runs right behind the brewery. As the label says, the creek was so-named when some barrels of whiskey were found sometime in the 1800s. This is an IPA I actually like. The guys at Keg Creek wanted to create an honest, true IPA but step away from the trend of hopping your face off.

The Omaha Jitterbugs are a fantastic organization and a danciful group of people. It’s my dance home. One of my martial arts teachers once told me that you owe your art everything you receive from it. It’s a principle I try to carry with me wherever I go, to pay back the good that I’ve got. And so when I had the opportunity to design a new website for the Omaha Jitterbugs I felt very excited. I could use my powers for good and help a wonderful organization and all the hard-working people there have a web presence that would show all who visited their vibrancy and spirit.
My broad goals for the new website were:
And more specifically:
I am not primarily a web programmer but I do have ever more growing experience configuring WordPress to fit purposes other than a blog. I love it as a CMS. So my plan was to build the website with WordPress, customize a premium theme from Elegant Themes, and configure it to fit the needs of the Jitterbugs.
Before I got online, I spent time sketching out an organizational structure for the website and talking to the people who’d be using the site the most. Then I gathered ideas for color schemes, fonts and typography options, and all the copy I would need (and there was ample, well-written copy already at the old site). I began the build first by installing and configuring WordPress without worrying too much about what it looked like.
Elegant Themes already have some great functionality built in, but I did want to incorporate a few plug-ins:
Workplace hazards of a freelancer…! I don’t know what it means that I’m now posting unapologetic posts just of my cat on my very high-minded artistic artblog, but here it is.
Knox is my 20 pound snuggle-dudecat. He is named after a role-playing character for their shared traits of impressive size, impressive noise and strong left-leaning politics.
It can be difficult to define success for yourself and even harder to visualize what that looks like and how to make that happen. The old adage of following your heart can be difficult to decipher, but for me, that means looking inside – am I excited every day? Do I feel like I serve my community in some way? Do I feel fulfilled? Do I feel valued?
For me, that meant taking a leap. A leap off a path, a path that promised security and success, and into the rough where the right answer was no longer so easily identified. I decided to give working independently a good honest try. My monthly living costs were super low, I had the support of my spouse, I had an idea of how it all worked, and I had the audacious notion that my skills would be of value. So I set up an LLC and started doing full time what I’d been doing as a hobby already for many years. I became a freelancer, focusing on graphic design and illustration.
That was 2008. Now as 2011 wraps up, it’s clear to see that the audacity of going freelance wasn’t so audacious after all, but the entry into a vast network of creative professionals in all different fields and industries, all working as kind of… specialized artisans.
I wanted to share some of the greatest parts of what life as a freelancer has brought me.
I get to sit down with a pencil and paper every day and draw pictures. I smile when I do because I realize how happy I am to be doing the work that I’m doing. I get to draw pictures. AT WORK. FOR WORK! Having been in school for not-art, and worked at not-art jobs, realizing fully that my job is drawing pictures makes me giddy. As I was telling my husband, pencil-and-paper is more natural to me than talking or writing. It’s a way where my ideas are most clearly and easily expressed. I wake up every day excited to draw, excited to create and solve design problems.
My clients are such a diverse crew: martial arts masters, photographers, web developers, cupcake bakers, urban farming enthusiasts, lindy hoppers, technical gurus, beer brewers, and all kinds of entrepreneurs. And they come from all over the US and even places abroad. But most of them share a common attribute – they are passionate about what they do. That is fuel for me! It makes it so much easier and so much successful from my end when my clients have the passion they do, the eagerness and love for their business and a genuine interest in providing wonderful things for their clients and community. Getting on board always feels like a privilege, like guest-starring on some thrilling new team. The people I meet are rad folks. How else would I have met them then through freelancing?
In so many ways we are always encouraging ourselves and each other to live up to our potential, to cherish the gifts we were given and worked to hone. To use our powers for good. Because I work independently I am in the position to choose what clients I work with, and in doing so, I can choose to only work in those industries that reflect my own values. Not only that, but my design work itself has value, and in working for myself I have the freedom to send it towards the good in the world, to support the good in the world, however small it may seem sometime.
My day starts when I want it to and it ends when I feel finished. In any job, the balance of work and play is always tricky and that’s no different in freelancing. But I feel like I have an advantage. I schedule my own day, so I can more easily work in a trip to the post-office, take the dog for a walk, take a day to see family, or have lunch with my husband. I can more easily allot time to exercise, or volunteering. I can more easily pursue my other passions like lindy hop and martial arts. Having total control over my day makes me a very happy, calm person. Perhaps that means that I schedule myself into an all-nighter, but it’s an all-nighter I chose to take.
I am so much more productive at home, or at least I’m happier here. I stream NPR, I dress down in sweats and a t-shirt, I can open a window, I can burn incense. I can have a purring cat in my lap or have a 1-minute dance party to tones of sweet Freddie Mercury. My commute is a few paces down the hall instead of battling traffic and weather, and I can make myself meals instead of eating out or bagging a lunch. I’m sure there are some great office cultures out there, but none of them are in my house where I keep all my stuff.
I am so much better dressed now that I used to be. It’s an illusion, of course. I just spend so much of my time in sweats that when I do go out – to meet a client, get some prints made up, eat out, go dancing – I actually WANT to dress up nice. I’m not burnt out on it having to do it every day. Stacy and Clinton will never convince me that work pants and heels are just as comfortable than raggedy old scrub pants, though, so when I want to be comfortable at work, I can be.
There’s an excitement about the future with all of this. I still feel quite young when it comes to doing this right. I’m proud of my success so far, but as I like to say – art is the easy part. Managing a business, navigating the industry, managing my time: all of this feels like the real challenge. Certainly, my work and skills are growing and visibly so. I’m exploring niches and learning new things, learning as much from my clients as advise them on design matters. There’s an excitement to that. I don’t know exactly what my life will look like in 5 years or 10, but I know how I want it to look. Here’s to 2012!
A lindy exchange is an important tradition in the modern swing dance scene. It’s not about contests or classes – it’s about music and social dancing and showing your guests your fair city.
Having already worked with Rachel and Brett of The Rhythm Dance Co, I was thrilled to get my hands on the design materials for the Albuquerque Lindy Exchange 2011 coming up this October.
Since a lindy exchange is all about home town pride and travelling from the far corners I centered the design on the iconic New Mexico ‘zia’ sun graphic, and kept in the oranges and yellows of their state flag. Perhaps for a New Mexican, these themes are commonplace, but they will speak to travelers. I continued on with the distressed, aged look that the Rhythm Co was already using, too, to keep at least a smidge of brand identity across their events.
I used a photograph take by Ryan Rahn for another of their events to show the excitement of people just going nuts dancing.
Rachel and Brett also ordered a shirt design and we felt that carrying through Traveling Zia design into the shirt would be cool.
I love designing for Lindy Hoppers…!
Clearly you should consider getting down to ABQ for the LX this year. October 28 – 30, 2011.
Having a million bits of fun this month. Freelancing is… amazing and not amazing.
I am absolutely thriving in my self-determined schedule, not having to wear real pants to work, and getting to create my own work environment. I can schedule my work time around Tim’s strange hours, I can get to the bank if I need to, I can play NPR as loud as I want. I get enough sleep. No commute. No boss. I’m a very intrinsically motivated individual so all of that works for me, for my lifestyle. I want to work.
There’s a crap side too, and it is mostly comprised of instability, lack of security, and no benefits. I’m sort of coming at this on faith, you know? I have no real assurance that this is actually going to work out. When you’re employed by a company, you’ve got this framework as defined by the most common mode of making a living so you can feel confident in some way that you’re going to keep getting paid and keep getting employed. (Maybe not so much in this economy..) I don’t really have that at all. I’m only 8 months into doing this full time (as in, with all my focus and energy) and I’m not really sure what the heck I’m doing in some ways. It also really sucks not to have health insurance.
And yes. There are distractions. Absit Omen. Hulu. The Casting Game. My pets who need attention, the laundry that needs washed, the blogs that need updated. There are the bad weeks and good weeks. On the good weeks I get up early-ish, remember to eat all my meals, only go to Absit Omen after my goals are met for the day. The good weeks are usually the weeks where I have actual art to do. It’s more difficult when my tasks for the week are advertising, hunting for new contacts, and that kind of business-end stuff. You can’t blame me though – I started a business so I could do what I love: art, not business. It makes sense I’m going to have more focus on the fun parts.
But the crappy side aside – it’s worth it to me. Every single job I’ve had, and even the ones I’ve wanted to have (high school teacher) have represented something dreadful. I would dread every single day. Being in the zone and actually totally engrossed in the work was always the fun part, and I usually really enjoyed my tasks, but everything else just made me sick with worry. Logistics, clothing, politics, bosses, schedules. I don’t fit there.
So all that financial instability, the unpredictability day-to-day, not really having a prescribed guide on How To Live - it’s all totally worth it. I just have to keep moving forward and pressing on. Gain experience, learn new skills, meet more people.
Rambling out of the way, and to reiterate: I am having a million kinds of fun this month. Above is a collage I put together with some of work I’ve been doing for paying clients. Maya-themed logos, avatars for pro rugby players, steampunk adventurers, vector town for a website front page, a house detective, and just a peek at a new website-based game my friend is developing.
This project’s been in the works for around a month I think, but finally! New business identity, new website, new domain! Everything is primed and ready to… keep doing what I was doing before. Except this time, with more bears and more stylized fire.
My new website is at www.SarahCarneyCreative.com and this blog is now at www.ArtBlog.SarahCarneyCreative.com. Update your bookmarks and RSS feeds.
I yoinked the sweet dynamic menu from Codrops. They have some amazing stuff there. And thanks to Lisa at Four Lights who answers all my questions.
And so here’s the plug:
Get in touch and we’ll work something out. I’m prompt, always receptive to your ideas and critique and very easy to communicate with. I’m up front about what I can do and how much things will cost.
Rawr and Best Wishes!
Sarah